Independent community guide · Cave Creek, Arizona

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Brian Lensink

Woodturning is an art form with few limitations. By combining components and techniques I can create just about any shape or size. By arranging different woodspecies, I can create many types of surface designs. Then I can add carving and painting and the possibilities are endless. There is also the ability to create decorative or sculptural pieces or artistic utilitarian works. There are few art forms that give you this type of freedom. This lack of restriction keeps my mind engaged - contemplating the possibilities. Figuring out how to deal with the technical problems of getting the shape and form I want provides continuous stimulation and thought. I create with this art form because it is fun and because I enjoy the look on peoples faces when they touch and feel a vessel or bowl, use a beautiful pepper mill or contemplate a sculpture piece. Medium(s): Wood

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Curt Harris

Sculptor Curt Harris has been creating art since childhood. His father would take him on many watercolor painting adventures in the mountains of Utah. Art was a part of everyday life. My Father painted this piece of the Ogden River where we went fishing and he still has it displayed in his home. As an undergraduate student ceramics became his medium. First it started with wheel thrown pieces but soon he was creating large abstract sculpture. He received his Bachelor's degree from Weber State College in Ogden, Utah. He received his Master's of Fine Art degree in sculpture from Arizona State University in Tempe, Arizona in 1982. After graduating Murray State University in Murray, Kentucky was his next stop. He taught a gallery exhibits class and oversaw two students galleries and the main gallery for the University; the Clara M. Eagle gallery. He wrote grants and was the chairman of the visiting artist committee. Leaving the University he traveled back to Tempe where he became the Director of the Susan Brown Gallery in Scottsdale. He worked there for a few years and then opened up his own studio in Tempe. At this time, he changed the materials he was using; he went from clay to wood. He loved the idea that he could create three dimension artwork in an almost unlimited capacity. He began showing in three galleries in Scottsdale and Tucson, Arizona and in Santa Barbara, California. His artwork reflects his outlook on life through his dreams. It is greatly influenced by his surroundings and activities. His experiences fill the senses and his creativity releases this information. He likes telling stories of his life experiences. He believes life itself is true art. Exhibitions "Exit Stage Right "and "You Think It Is A Stick With Stripes," National Juried Exhibition at Galleria Mesa, Best of ShowArizona: Past, Present, Future, Juried Exhibition, State Capital Gallery, Phoenix, ArizonaIntimate To Monumental, Southwest States Invitational, Tempe Arts Center, Tempe, Arizona Medium(s): Wood, Acrylic

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Joseph Baxter

Joseph Baxter is an American surrealist oil painter based out of Phoenix, Arizona primarily specializing in surreal landscapes and cityscapes. Baxter's artworks are most noted for his exploration and use of deep and vibrant color dichotomy and combine stylistic aspects reminiscent of Dr. Seuss. His unique style wavers between realism and surrealism, introducing the viewer to fantastic and often fanciful forms in nature. Medium(s): Oil, Ink, Wood

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Kevin Whetstone

Deliberate choice of materials that embody both organic and industrial qualities. Black walnut wood introduces warmth, texture, and natural richness, grounding the composition in tradition and craftsmanship. In contrast, steel, copper, and cast iron contribute resilience and strength, reinforcing the industrial character of the design. Molten glass adds a dynamic element, its fluidity and luminosity creating movement and balance within the overall structure. Medium(s): Glass, Metal, Wood

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Matthew Werner

I’m a positive-minded, non-cynical person. I see people as engaging, amusing, beautiful, joyous, and noble characters in life’s panoply. People are simply the most interesting part of the show. When folks see my sculptures, they see snapshots of people—like themselves—who are doing things that they have done—singing, dancing, sleeping, striving, running, praying—people living. It’s as if they see movements and moments from the show of life. In their minds, they create stories to go with the art. The art forces a narrative from the viewer. That’s what I do—I make narrative, realistic, people-sculptures. I see the essential humanity of folks around me—people of all races and walks—and I capture it in physical forms that encourage folks to see a story that is uniquely their own. The narrative may be long and involved, or it may be only a few words. Sometimes they tell me what they see.I admire the sculptor Bernini for his sense of movement and composition. I admire Rodin for his impressionistic abbreviations of human forms. I favor the illustrator Rockwell for his loyalty to the nobility of common women and men. Medium(s): Wood

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